The **Critics Choice Association (CCA)** is the largest critics' organization in the U.S. and Canada, comprising over **600 members** including broadcast, radio, online critics, and entertainment journalists who review films, documentaries, scripted and unscripted television.[1] It presents the prestigious **Critics Choice Awards**, honoring excellence in cinematic achievements across movies and TV.[4] Founded **30 years ago** in 1995 by Joey Berlin, Rod Lurie, and 42 founding members as the Broadcast Film Critics Association (BFCA), the group expanded in 2019 through a merger with the Broadcast Television Journalists Association, officially forming the CCA.[1] This evolution broadened its scope from film-focused critiques to comprehensive entertainment coverage, solidifying its influence in the industry. Key achievements include its annual **Critics Choice Awards**, a major precursor to the Oscars, with the **Critics Choice Seal of Distinction** awarded to top-rated new films based on member voting.[2] The 31st ceremony highlighted films like **“One Battle After Another”** (Best Picture, Best Director, and Best Adapted Screenplay for Paul Thomas Anderson), **“Frankenstein”** (four wins, including Best Supporting Actor for Jacob Elordi), and **“Sinners”** (four wins, such as Best Original Screenplay for Ryan Coogler).[2] These events draw massive viewership and shape award-season narratives. Currently active and thriving, the CCA continues hosting high-profile galas, weekly ratings votes, and endorsements that impact box-office success and streaming trends—relevant for business and technology sectors tracking media analytics and content monetization.[1][2] Notable aspects include its democratic voting process among diverse critics, distinguishing it from guild-based awards, and its role in spotlighting emerging talent amid Hollywood's digital shift.[1][4] With a robust online presence, the CCA remains a pivotal force in entertainment journalism. (298 words)